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Feature

Dinner Series

A Night on the Riverside with Ember

As our creative campus Flussbad comes alive on the banks of the Spree in Rummelsburg, Slowness is collaborating with the upstart Berlin food collective Ember for a summer dinner series. Bringing together experience in some of the world's most innovative kitchens, the roving fine dining concept focuses on the freshest seasonal cuisine cooked over a wood fire and served at a long table in unusual settings across the city.

As our creative campus Flussbad comes alive on the banks of the Spree in Rummelsburg, Slowness is collaborating with the upstart Berlin food collective Ember for a summer dinner series. Bringing together experience in some of the world's most innovative kitchens, the roving fine dining concept focuses on the freshest seasonal cuisine cooked over a wood fire and served at a long table in unusual settings across the city.

On a balmy evening at the end of June, some 40 Berliners gathered on the Spree riverside for the first in a summer-long dinner series by Ember, the upstart Berlin food collective that’s been gathering a cult following in the city for its wood-fired cuisine served at a long table in unexpected locations, from an old archive in industrial Marzahn to a hilltop vineyard in the Rhineland. This summer, that location is Flussbad, our creative campus on the Rummelsburger Bucht. For this first dinner, the guests were handpicked by Slowness, a mix of collaborators, partners and friends who sat together in the shadow of the Reethaus, the reed-roofed subterranean performance space nearing completion near the river’s edge, and were met with a succession of delights: black corn tostada with zucchini, pistachio molé and pickled chillies; wood-fired ricotta with fava beans, grilled snap peas and salted lemon; lamb al asador with spring onions and romesco—all paired with wine or nonalcoholic ferments.

Everything was hyper-seasonal, bright and imaginative, bold, complex and phenomenally tasty—a tribute to Ember’s founder and head chef, Tobias Beck, a German native who has worked with some of the best culinary minds in the world. But equally exciting was the social atmosphere created by the setting, by the food, by the long table filled with friends and strangers. By the time the last dessert was served (summer strawberries with fermented tea sabayon and chamomile), a streak of rakish chaos had set in: some danced or told stories; others decamped conspiratorially out onto the riverbanks. It’s a formula Tobias and his partner Hatim Zubair, a fine-dining veteran from Sudan by way of Toronto, have refined over the past year. We caught up with them a few days after the dinner to find out their secrets.

SLOWNESS Let's start at the beginning. How did Ember come to be? Tobi, I know you worked for a while at Noma and then ended up in Argentina with the wood-fire master himself, Francis Mallmann.
TOBIAS BECK Yeah, it was actually In Argentina that the idea grew of having dinners in insane locations, and being able to execute that with wood-fire cooking. You can set up a table pretty much anywhere, set up your grills and then just start cooking with wood. And then in a place like Berlin, which is a very urban environment, it's very different to those beautiful dreamy setups in Patagonia, but to get that vision and bring it here, that's how it all started. Hatim joined right at the start, and we started Ember one year ago actually.
Tobias Beck

Fire attracts people. It’s something very deep inside us humans. It affects something. It is light. It is heat. It is food. When there’s a bonfire somewhere, you always have people standing around looking into the fire. And I think this feeling of warmth in an evening really connects the kitchen to the table.

  • Wood reserves with which to feed the fire.
  • Tobias Beck, founder and head chef of Ember.
SLOWNESS Hatim, your background is in fine dining restaurants, like Fäviken in Sweden, The Clove Club in London and Raymonds in Canada. What was the appeal in coming to Berlin to start Ember.
HATIM ZUBAIR When Tobi and I started talking, we were having very different conversations than I'd been having in offers from three-stars around the world. There are a lot of places that do really great food, but maybe they're a bit too serious. And there are a lot of places that have a really great atmosphere, but the food isn't that great. We wanted to figure out a way to melt the two things and have it be that I can go somewhere and eat the same quality produce and execution of cooking that I might find at a "fine dining" place, but I'm not being interrupted every two minutes to be explained where the cheese comes from and what the name of the cow is.
Place settings at Flussbad x Ember, the first in a summer-long dinner series.
SLOWNESS How core to the Ember concept is this social aspect, of seating strangers together at a long table?
HATIM ZUBAIR It definitely was the driving force. We did want something that is very convivial and very communal and social. There are certain things that we do that may seem benign, but actually have a consequence. Like we discussed a lot about whether we have should have place names, and it's like, no, we let people figure it out. At times it can be a bit cringe when the Germans have to navigate that. But at the same time, it sets the tone. Hey, humans are social creatures, and we need to relearn in some ways how to be around each other and how to navigate those things, because we've kind of been moving away from that to being more individualistic.
  • Hatim Zubair, Ember's director of operations, host and sommelier.
  • Roasted fennel with white currants and tarragon pil pil.
Hatim Zubair

I think Berlin is in a very exciting point in its development as a city and becoming more of a grown-up city. It really is the new frontier in a way, not in the sense of Copenhagen or Paris where it’s the avant-garde. Berlin’s an up-and-coming city in the gastronomy world, it’s fertile soil. The population is changing. The reception, the perception, of the city is changing. I think it’s also with that positive, it’s a bit like being in London 10 years ago, where there are a lot of exciting projects, but what’s on offer is still kind of limited.

Ember cook Deborah Yeo.
TOBIAS BECK After a course or two, people understand, 'Okay, I'm here with my partner, yes, but I'm also sitting at the communal table, and all these people around me are here for a reason. We're sitting in an old archive or right by the water, so let's make this night count, and they get way more social. And me as a chef standing at the pass plating, I can hear the volume of the table going up. I can hear laughter. I can hear people reaching over the table and speaking with each other.
HATIM ZUBAIR To be honest, we knew it was gonna happen. We just didn't know how amazingly it would happen.
  • Paul Gerber, Ember's sous chef, tends to the fire.
  • Herring during the salt-curing process.
Tobias Beck

In Argentina, my day started everyday with making a fire. It’s such a romantic thing. You do your mise en place, your preparations, during the day. But you’re constantly watching a fire. It’s not an on-off stove situation. If you are not feeding the fire, now you won’t have heat in 45 minutes. If you need extreme heat in 10 minutes, you need to act now. There’s just no room for mistakes, and it’s very, very tricky to cook with it. Only a few in the world have mastered it.

  • An interior shot of the Reethaus at Flussbad.
  • Professional volleyball player Benjamin Patch at Flussbad x Ember.
SLOWNESS I know part of the appeal of cooking over a wood fire is untethering yourself from a kitchen, but can you elaborate a bit on the appeal for you of wood-fire cooking?
TOBIAS BECK Fire attracts people. It's something very deep inside us humans. It affects something. It is light. It is heat. It is food. When there's a bonfire somewhere, you always have people standing around looking into the fire. And I think this feeling of warmth in an evening really connects the kitchen to the table.
SLOWNESS Right, and it's so ancient, ancestral.
TOBIAS BECK Exactly. It's not just a concept, it's more like a lifestyle. In Argentina, my day started everyday with making a fire. It's such a romantic thing. You do your mise en place, your preparations, during the day. But you're constantly watching a fire. It's not an on-off stove situation. If you are not feeding the fire, now you won't have heat in 45 minutes. If you need extreme heat in 10 minutes, you need to act now. There's just no room for mistakes, and it's very, very tricky to cook with it. Only a few in the world have also mastered it.
  • Geraldine Keller of Kuboraum Berlin at Flussbad x Ember.
  • An interior shot of the Reethaus under construction at Flussbad.
SLOWNESS Tobi, I know you've been in Berlin for a while, but Hatim, having just moved here to start Ember, what are your impressions of the culinary scene in the city?
HATIM ZUBAIR I think Berlin is in a very exciting point in its development as a city and becoming more of a grown-up city. It really is the new frontier in a way, not in the sense of Copenhagen or Paris where it's the avant-garde. Berlin's an up-and-coming city in the gastronomy world, it's fertile soil. The population is changing. The reception, the perception, of the city is changing. I think it's also with that positive, it's a bit like being in London 10 years ago, where there are a lot of exciting projects, but what's on offer is still kind of limited.
Flussbad x Ember dinner at a long table on the forested riverside.
TOBIAS BECK A lot of German chefs have never left Germany to work anywhere else, but there are a lot of internationals in Berlin and more and more coming, bringing a lot of expertise of different cuisines. But Germans are, for example, the country in Europe that spends the least money on food and drinks. It's more important to have a car in the house than it is to buy good produce or a nice dinner somewhere.
HATIM ZUBAIR Not in a patronizing way at all, but there is a certain element of educating the general population. We are the club capital of the world. People come here for techno, and people don't mind spending a lot of money to get into a club and spend a lot of money on perhaps drugs or drinks and stuff like that. We were in Paris about two months ago, and every day, breakfast, lunch, dinner, you're out. And eventually, we were like, okay, can we go to a club? And they're like, that's not a thing. Their main thing is eating and drinking. That's the social thing. And our main social thing here is the clubs, the music. So it is kind of, not educating the populace, but going, 'Hey, if you want an experience and you want a really great meal, you're going to have to pay something close to 200 euros to get it.'
TOBIAS BECK German grill culture is a very horrible one still. It's like drenched in garlic sauces, horrible meats. For me as a German, it's very interesting to go back to my roots with the dishes I know and recreate them on our wood-fire grills.
  • Fa Pawaka Empel, an Indonesian actress, designer and sound healer based in Berlin.
  • The half-finished hand-woven roof of the Reethaus.
SLOWNESS And this shift actually seems to be happening. As someone who's been here a very long time, the offerings today really do not even compare.
TOBIAS BECK It's because there's great talent here. And also, if we look on the chef's side, I try to surround myself with people that really excite me, people like Billy from Nobelhart and Schmutzig, who does an amazing service every night and has a very nice concept. I'm trying to create a network of really great people that all push together to make the city a great food city. And we can do that. We just can't have our elbows out, and we can say no to each other. We just need to share our farmers and do all that.
HATIM ZUBAIR We have to create a sense of community.
Ember's custom-built wood-fire grill station.
Preparations at Flussbad x Ember.
Born in Sudan, Hatim Zubair trained as a city planner in Toronto before shifting to fine dining a decade ago.
Impressions on the Spree at dusk.
An interior of the Reethaus.
Paul Gerber, Ember's sous chef and a childhood friend of Tobias who has worked with chef Atsushi Tanaka in Paris.
Last glowing embers and ash.
Berlin-based multidisciplinary artist and designer Malakai created an experimental soundscape to accompany the dinner.
Fa Pawaka Empel's tattoos reference the symbols of her Dayak ancestors from the island of Borneo.
Pistachio molé and pickled chillies on black corn tortillas, soon to be met with farm-fresh zucchini.
Dalad Kambhu, the chef and restaurateur behind Berlin's Michelin-starred Thai restaurant, Kin Dee.
Shots on the riverside.
Shots on the marina at Flussbad.
Journalist and magazine editor Adriano Sack.
Abyss X, the Berlin-based artist, musician and performer behind Nature Loves Courage, an experimental dance music festival on her native island of Crete.
Shots on the marina at Flussbad.
Slow's editor-in-chief, Charly Wilder.
By the time the last dessert was served, a streak of rakish chaos had set in.
Ember's custom-built wood-fire grill station.
Preparations at Flussbad x Ember.
Born in Sudan, Hatim Zubair trained as a city planner in Toronto before shifting to fine dining a decade ago.
Impressions on the Spree at dusk.
An interior of the Reethaus.
Paul Gerber, Ember's sous chef and a childhood friend of Tobias who has worked with chef Atsushi Tanaka in Paris.
Last glowing embers and ash.
Berlin-based multidisciplinary artist and designer Malakai created an experimental soundscape to accompany the dinner.
Fa Pawaka Empel's tattoos reference the symbols of her Dayak ancestors from the island of Borneo.
Pistachio molé and pickled chillies on black corn tortillas, soon to be met with farm-fresh zucchini.
Dalad Kambhu, the chef and restaurateur behind Berlin's Michelin-starred Thai restaurant, Kin Dee.
Shots on the riverside.
Shots on the marina at Flussbad.
Journalist and magazine editor Adriano Sack.
Abyss X, the Berlin-based artist, musician and performer behind Nature Loves Courage, an experimental dance music festival on her native island of Crete.
Shots on the marina at Flussbad.
Slow's editor-in-chief, Charly Wilder.
By the time the last dessert was served, a streak of rakish chaos had set in.
Contact
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10317 Berlin, Germany
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1100-383 Lisbon, Portugal
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